15.3.11

Presentation ideas


perfect bind, needs 3-5mm.
Binding
Enmore, Amazing Paper store http://www.amazingpaper.com.au/ 
-contantina, stitching, saddle stitching, perfect bind (needs 3-5mm bind depth), japanese binding, canadian binding (covers wire binding), hand generated book binding (UTS books). Spray adhesive to glue papers together, jac paper (double sided contact), score fold fines (for <250gsm use a ruler, score inside edge with back of butter knife). 
UTS Digital Print: $30 Perfect bind with custom cover. Takes 2-3 days. Single sheets.
http://wn.com/Basic_DIY_Book_Binding_Demonstration














In Between by Sebastien Verdon.


Super Surfaces














Anja Emzén


Matt Koo




Michael Longton




Michael Longton

Popcorn


reflexive. quality of paper. attention to detail: tearaway. 


Introduces people. people. personal touch. Intimate. 




Competitors pictures:The feel- label identity: retail spacing, photography references





Ansdorf website



Vanessa Bruno

Label breakdown

Target Audience: What kind of clients/customers do you wish to appeal to?

 Female 24 years old. Cultured creatives, intellectual, interested in art, society and history. Enjoys art gallery visits, creativity. Has a stable job, interested in clothing which will make her stand out as an individual, can be corporate but largely for casual wear for artists and designers. Works in a fairly relaxed environment.  High-end using quality fabrics and sustainable practices. 

What Problems does you business help them to solve? Then need for creative, eco-conscious garments of superior quality in fabrics and make. Elegant, stylish intellectual creative garments. Ready to Wear, feminine. In the contemporary scope of cheapening fabrics and bad fit, this label is affordable yet committed to quality. 





What are your strengths and weaknesses as a designer?
Weaknesess:
-bad a PR or personal promotion.
-can't consistently push for original ground breaking ideas all the time, but I can play off other people's ideas and work off that.
-sewing
-time management
-overloading with too much.. getting too excited, it clouds the clarity of content.

Strengths
Good at making things commercially viable
pin pointing what will sell and marketing
sourcing fabrics or human resources
budgeting
illustration, visual presentations
team work
colour in garment design
different point of view, unusual taste. 

What appeals to you visually as a designer? See post' 'words and objects describing essence of label' 
-create a mood board of sorts that conveys your individual style.


Envision what kind of space you would ideally like to work within? See post 'Space envisioned'





What are you design principles? Create at least 5 values that are inherent to your design practice, similar to a manifesto
Company values and characteristics of the products which add value.
-forward thinking, directional (taking inspiration from architecture, artists, designers, graphics, history, philosophy, culture and society). It is surprising, creative and engaging. Conceptual and intelligent.
-compassionate (for environment, freedom and openness, design). Label is self-reflexive (like art movements surrealistic, dada, modernist, abstract expressionism), socially aware.
-intimate, personal (extension of the self) yet minimalist and authoritative. 
-honest, modest and sustainable. NOT fast fashion. Transparent, austere, modest. Draws reference to Adolf Loos' modernist architecture, unadorned and essential. 
-skilled artistry. effortless and logical design. Focus shifts from ornament to a consideration of lines, shades, proportions which underpins garment design values. 


Words and phrases that appeal to them: 
Theory
Kant, aesthetics, philosophy
THE PROBLEM OF THE ARTIST IS TO DEFAMILIARIZE THE ORDINARY (Rand, 1995)
”Type lends body and voice to mute thought”, a quote by Friedrich von Schiller (1759–1805)
Kant argues that such aesthetic judgments (or ‘judgments of taste’) must have four key distinguishing features. First, they are disinterested, meaning that we take pleasure in something because we judge it beautiful, rather than judging it beautiful because we find it pleasurable. 
-All fashion is disinterested pleasure.
-austere
-organic
-minimalist philosophy
-architecture, graphic design, 
-authoritarian
-spiritual 
-subtle
-modest
-clean
-crisp
-insouciant 


Object references
Dictionaries
bikes, old vintage
heritage
modernity (reverential)
contemporary
minimalist (not as style, but necessary)
white walls
le corbusier, tadao ando, 
socrates 
glasses
maps, instructions for assembly, architectural plans, small text, thin typography
scrabble
wool, leather, metal



http://www.iep.utm.edu/kantaest/
http://www.poetrymagic.co.uk/literary-theory/art-as-autonomous.html


To hand-in:
Positioning statement, why you are making certain choices, three logos. 


3-5 benefits for your customers:
-refined quality in fabrics and cut. (cashmeres, silks)
-intrigue
-prestige/intellectual niche
-desirability
-contemporary yet references the past. modern. 


Competitors:
Country Road
Sass and Bide
Theory
Acne
Assin
Material By Product
Toni Mattisevski 
Zambesi
Scanlan and Theodore
Ruby Smallbone
Therese Rawsthorne
Max Mara
Ansdorf
Yeojin Bae

Antipodium
Vanessa Bruno

How I will stand out amongst them:
-a strong brand identity based on conceptual and intelligent design.
-label inspirations is personal to me and different to what's current in the market. Close ties between fashion and architecture. The different is this label will be exclusive yet very commercial.
-selling point is great range of fabrics and individual design aesthetic.
-Intimacy, personal service and clever marketing
-covetable items which takes inspiration from social movements. Locates the zeitgeist amongst creatives (this is key, label philosophy of 20/80. 20% work or labour/material costs and 80% return. Keeps its profitable and sustainable).

Inspires towards:
Comme des Garcon
Maison Martin Margiela
Helmut Lang
Nick Knight
Akira 
Prada
Ralph Rucci
Anne Valarie Hash


What differs the label from the competition?
-infuses local Australian style, 
- quality 
-affordable prices
-intellectual, minimalist, refined



Label NAMES: cellar, nook. blanks, covet, oeuvre, akin, N.U. I, ennui (disinterested), enoki (mushroom), Christine Pan, Hensonís, skin, concrete, cement, wood, step, aaskin, afold, surface, light wall, adage, asai, alpha state, acai, ari, aris, carnets [(Fr. notebook) i.e the carnets of camus/le corb.]


The label name:












Can the proposed name be pronounced easily?
Does it read quickly and clearly?
Can you say it and others understand it, without having to spell it?
Is it spelled as it sounds?
Is it short? Experts recommend that a business name have eleven
or less letters and four syllables maximum.
Does it contain negative internal words?
Is it unique and sensory? These two traits make words memorable.
Does it spark interest? Is there a story behind it?
Does it represent who you are? Is it authentic?
Does it express or imply a desirable message?
Can your employees say it proudly?

http://www.allgraphicdesign.com/graphicdesignarticles/
logographicdesign/logodesignbrandingtips.html#tips
http://www.thelogofactory.com/logo-design-articles/what-notto-
do/

Visual Quickstart Guide Illustrator CS4,
Sandy Cohen, Peachpit Press 2008

Logo

- Must be scalable
- Must work in colour and mono
- Must be vector based (create crisp outlines with limited colors)
- Should be adaptability and able to be reproduced in a variety of
contexts
- Should be memorable and unique (set you apart from the
competition)
- Should have relevance to your industry
- Should appeal to your target market

Colour Symbology

Consider the significance of colour and its associations with different cultures.

Situational Analysis

ALL BUSINESS
http://www.allbusiness.com/glossaries/situational-analysis/
4964093-1.html
An examination of the internal strengths (S), weaknesses (W),
external opportunities (O), and threats (T) affecting an organization.
Also called SWOT Analysis, a situational analysis is a basic
element of the marketing plan and is used to make projections for
the proposed marketing activities. Typically the analysis seeks to
answer two general questions: Where is the organization now? and,
In what direction is the organization headed? Factors studied in
order to answer these questions are the social and political developments
impacting on marketing strategy, competitors, technological
advances, and other industry developments that may affect the
marketing plan.


Strategic planning is an organization’s process of defining its strategy,
or direction, and making decisions on allocating its resources to
pursue this strategy, including its capital and people.

TASK 1 I Digital

Visual Branding


 create a corporate identity that reflects your own
unique personal brand and apply it to a selection of promotional material
relevant to your brand.

1.  Create a written and visual positioning statement (1000 words, unlimited
images), that analyses and explores your personal brand. Incorporate responses
to the questions below as well as including visual research to support your ideas.

2.  What kinds of design are you interested in pursuing and why? ie. styling,
photography, swimwear, menswear etc.
What are you design principles? Create at least 5 values that are inherent to
your design practice, similar to a manifesto. These can be in list format and
should be no more than 1 sentence long each.
What kind of clients/customers do you wish to appeal to?
What are your strengths and weaknesses as a designer?
What appeals to you visually as a designer? Use visual imagery to express this
ie. create a mood board of sorts that conveys your individual style.
Envision what kind of space you would ideally like to work within? ie. a large
business with hundreds of staff, a small boutique studio etc.
Who are your competitors and how can you stand out amongst them? What is
your selling point that makes you different from everybody else?

3.  Use the research from your personal design statement as a basis to create
3 comprehensive concepts for a corporate identity that visually represents
the inherent values of your personal brand. Consider how various elements
such as font selection, choice of colour and graphic style combine together
to form a logotype that is visually engaging and effective when applied in
a variety of different ways. You may use your own name/initials or create a
fictitious name with which to trade under which will be used throughout the
duration of this subject. Identities shall be completed in Illustrator or
Photoshop. Include a 200 word synopsis that describes the reasons behind
why you presented the concepts that you have.

4.  Combine the content generated from the Positioning Statement and
Corporate Identity into a professionally presented document. This does
not need to be A4 and should be presented in any format that best suits the
style of your brand. Be creative in your approach to the design of this
material and think about brand consistency and visibility.

5.  Create a multi page digital PDF of your submission.


SUBMISSION REQUIREMENTS
- colour proofing copy
- press ready pdf file (separate file for each item)
- 200 word synopsis
- Submit printed work in a folder
- Submit files on CD and to the Dropbox
- All print copies, CDs and files must be clearly identified with your
name eg. 2011_lastnameinitial_task1.pdf
- Do not burn your CD until the final checking, completed in class,
has been completed and any errors remedied

ITEM SPECIFICATIONS
Printed and digital submissions of your Positioning Statement and
Corporate Identity document
Please write your name on the back of all A4 print outs and submit
all of your printed files in one A4 plastic sleeve with a cover sheet.
Please submit the digital component of your assignment to the
Digital Dropbox by the specified submission due date and time.
Promotional Merchandise: Format unspecified

Notes taken from UTS subject pdf.  83568_brief_task01.pdf

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