





UTS Tie and Scarf
Christine Pan 10707254
UTS is a place of diversity and renowned for its architecture, creativity and push for sustainability.
Digital textile prints for both the tie and the scarf has drawn inspiration from photos taken around
the university (building 10 and building 6) in which the tie pattern developed out of the strong, bold
and brutal textures of the concrete ceiling in building 6 whilst the textures for the scarf developed
out of the light, crisp and flowing glass facades of building 10. Each chosen materiality corresponded
to the feeling of masculinity versus femininity.
The tie design and colourways exhibit a corporate yet striking pattern with a focus on difference,
innovation and originality. The stripe pattern runs from left to right, offset by the slight, leaner lines
in the background and opposing foreground running at slightly different angles giving the overall
feeling of intrigue to this interpretation of the traditional stripe tie.
The scarf design is composed of various layers of opaque colours. Elements of the tie pattern has
been infused back into the scarf in a subtle and impressionistic way. Hand-drawn illustration of the
face is overlaid to create interest and originality as well as to allude to UTS design and especially
the fashion design course from which the textiles component is part of. The various square shapes
a reminiscent of computer chips (technology and innovation) as well as forming a design feature
and border.


Here is the original pattern as Chris Stone had suggested after looking through my designs. This pattern was done as a 'whatever' pattern which was surprising that Chris had picked it out as a design to develop. I re-cut the shape of the tie experimented with layering and colours. Some of the lighter coloured ones look quite nice but not sure how it would be received.

two versions of final design. One has the face slightly lighter and fading into the background, so to make a subtle textile design. The other has the face more prominent as it is the key feature of the design.
These experiments were a continuation from the previous lot. Chris had said that my blue wave design was a little bit unoriginal (even though it was aesthetic) so I decided to overlay it first with the tie pattern so to bring it back in, then with a picture of a face I did for the drape exhibition poster. The double face came about because only drew one side so I flipped it. I kept it in a light colour scheme in keeping with the target market. I'm not too sure if they wore something so conspicuous although I think they would appreciate a distinct face to set it apart from other scarves.
This the base which I had based the initial designs on. I really like it, I think it looks professional but maybe its already on the market already. The wave looks quite blended in with nice hues which I think is suitable for the target market. It has a lustrous quality (like a pearl).
I had taken the stripe background and overlaid it with another image I had created. The result is quite busy with a very prominent diagonal symmetry and horizontal/vertical pattern. Perhaps its not the best combination as it doesn't work so far. I'd probably need to work it a bit more to achieve more coherence in the design. Maybe add another layer of patterns so that the 'flower' is wedged in the middle, then erasing part of the layers? I maybe cutting shapes out of it?














