30.5.10

ARCH1101 ARCHITECTURE DESIGN STUDIO 1
EX_3 –BRIDGE– [35% OF FINAL COURSE GRADE]

STUDENT Joson Lam REVIEWER Christine Pan

ASSESSMENT CRITERIA FROM COURSE OUTLINE_
Evidence of thought and rigour in concept development.
Imagination and innovation in terms of the use of the representational instruments introduced in studio.
Precision and skill in the above areas of assessment.

In addition to these criteria you will be assessed on the level and extent to which you engage with the learning outcomes for the course and the PREMISE for each EXPERIMENT.

PREMISE FOR EXP3: Environments change over time. Action and interaction within an environment provide a vehicle to synthesize information and make sense of continually shifting structures.

ASSESSMENT CRITERIA_

SUBMISSION REQUIREMENTS_

Yes BLOG
Yes MASHUP OF 3 NEWS ARTICLES
Yes 18 SKETCH PERSPECTIVES
Yes 36 CUSTOM TEXTURES
Yes 1 X SKETCHUP MODEL THAT INCLUDES THE TWO ELEVATORS AND DINING TABLE
Yes 4 REAL TIME IMAGE CAPTURES SHOWING 2 DRAFT CRYSIS WARS ENVIRONMENTS
Yes 5 REAL TIME IMAGE CAPTURES OF THE DEVELOPED CRYSIS WARS ENVIRONMENT
Yes 1 X FULLY DEVELOPED CRYSIS WARS ENVIRONMENT


NOTE_ The assessment criteria from the course outline is also taken into account.. FIVE is better than FOUR – these numbers are indicative only.

THE MASHUP OF THREE NEWS ARTICLES_ Does the “MashUp” of the three news articles suggest a distinctive and significant approach to the idea of Power?
5
THE 18 SKETCH PERSPECTIVES_ Do the 18 sketch perspectives communicate a distinctive and significant approach the student has taken with respect to pathways in 3 dimensions?
5
THE 36 CUSTOM TEXTURES_ Do the 36 custom textures demonstrate enquiry and experimentation with respect to ideas of movement?
4
THE ELEVATORS AND DINING TABLE_ Do the elevators and dining table demonstrate a distinctive, significant and formally evocative approach to the students understanding of Power?
5
THE IMAGE CAPTURES AND ARCHITECTURE_ Do the image captures demonstrate that the student has thought about the relative size of each element, what their proportions are, their orientation, what paths they take, how texture and color map over their surfaces and how all of the above work together to establish the balance or otherwise of their scheme?
4

Comments Grade D
Key strength of the scheme:
Great City. Really good perspectives. Interesting concept of garden city and the interweaving of the plants.

Most significant weakness of the scheme:
More colour!










ARCH1101 ARCHITECTURE DESIGN STUDIO 1
EX_3 –BRIDGE– [35% OF FINAL COURSE GRADE]

STUDENT Ivonne Supandi REVIEWER Christine Pan

ASSESSMENT CRITERIA FROM COURSE OUTLINE_
Evidence of thought and rigour in concept development.
Imagination and innovation in terms of the use of the representational instruments introduced in studio.
Precision and skill in the above areas of assessment.

In addition to these criteria you will be assessed on the level and extent to which you engage with the learning outcomes for the course and the PREMISE for each EXPERIMENT.

PREMISE FOR EXP3: Environments change over time. Action and interaction within an environment provide a vehicle to synthesize information and make sense of continually shifting structures.

ASSESSMENT CRITERIA_

SUBMISSION REQUIREMENTS_

Yes BLOG
Yes MASHUP OF 3 NEWS ARTICLES
Yes 18 SKETCH PERSPECTIVES
Yes 36 CUSTOM TEXTURES
Yes 1 X SKETCHUP MODEL THAT INCLUDES THE TWO ELEVATORS AND DINING TABLE
Yes 4 REAL TIME IMAGE CAPTURES SHOWING 2 DRAFT CRYSIS WARS ENVIRONMENTS
Yes 5 REAL TIME IMAGE CAPTURES OF THE DEVELOPED CRYSIS WARS ENVIRONMENT
Yes 1 X FULLY DEVELOPED CRYSIS WARS ENVIRONMENT


NOTE_ The assessment criteria from the course outline is also taken into account.. FIVE is better than FOUR – these numbers are indicative only.

THE MASHUP OF THREE NEWS ARTICLES_ Does the “MashUp” of the three news articles suggest a distinctive and significant approach to the idea of Power?
3
THE 18 SKETCH PERSPECTIVES_ Do the 18 sketch perspectives communicate a distinctive and significant approach the student has taken with respect to pathways in 3 dimensions?
4
THE 36 CUSTOM TEXTURES_ Do the 36 custom textures demonstrate enquiry and experimentation with respect to ideas of movement?
5
THE ELEVATORS AND DINING TABLE_ Do the elevators and dining table demonstrate a distinctive, significant and formally evocative approach to the students understanding of Power?
5
THE IMAGE CAPTURES AND ARCHITECTURE_ Do the image captures demonstrate that the student has thought about the relative size of each element, what their proportions are, their orientation, what paths they take, how texture and color map over their surfaces and how all of the above work together to establish the balance or otherwise of their scheme?
5

Comments Grade HD
Key strength of the scheme:
Beautiful and realistic use of crysis environment lighting and textures. Interesting looking building.

Most significant weakness of the scheme:
The curves look a bit crazy with a mind of their own.

25.5.10

Chosen Bridge: Chicago





The moving bridges of Chicago
by Brian Micklethwait
[S]pudart writes about his photo of Chicago’s Moving Bridges over the Chicago River:

The Chicago River cuts through downtown Chicago and is home to the most moveable bridges in the world for any city. Starting from the top, here are the bridges featured in this photo: Franklin Street Bridge, Wells Street Bridge, LaSalle Street Bridge, Clark Street Bridge, and Dearborn Street Bridge.

18.5.10

Examples of bridges within a site.


Arches_National_Park USA


Metate_Caprock_Arch


Natural_bridge_in_Bryce_Canyon


Chicago Bridge


Colorado River





Navajo Bridges


Chicago Bridges

Ideas for Site


Australia


neuschwanstein castle bavaria germany


McArthur-River_Northern-Territory_Australia


Twelve Apostles


Australia


Painted Cliffs Maria Island National Park Tasmania


Katherine Gorge




Australian Outback

12.5.10

Action, Interaction and Reaction.

Crysis
physics> entity.
model.
all the numbers define the location of the object (bottom)
create flow graph. RC>add node>HUD> display debg message.
add note> entity> pick position.
Rc on graph entity> assign entity.
RC add node> input keynote.
LC pres and drag a link.
Inputs in RHS, L.
graph entity RC> assign entity.
change the numbers in the right side tool bar to change the position of the object.
copy, paste. to create a new log.

does that not work? try:
view> components> check all options.

the whole city emerges as you travel through, pressing the key might make the bridge into being. moving visual form with dynamics, comic like stop motion, the crash slows down in time, moving elevators change in perspective, get it to pass through thing and around things. CHANGE IN PERCEPTION.
INCEPTION. ARCHITECTURE WHICH MOVES. the literal slant, a misconception taken literally. a surprise/expectation. Interaction/ elements which interact to create itself. ok go music video. typewriter, maze, law of gravity. Interactions between people and environment.

IDEAS WHICH ARE PRODUCED.

Think about where we have been, how do we occupy space? factory/office/

Experiencing architecture that is hot, cold, dry, warm etc. architecture that transforms over time in order to cope with change.
architecture that develops after the physical elements have been created and comes alive through interaction. Elevators which rotate into different directions. The play, coordinate the elevators interaction. get the timing and the character right. The way all the elements work together. Doesn't have to be complicated. What it i then, what it is now. revealing a new condition. Thangs that change. Design the people interacting with the environment, the people become the architecture, using people as a way to generate power.
ACTION:
Albox Craft. The role that architects have in global warming.
Coop Himmelblau
Diller+ Scofidio.
Ice hotel.
west 8

Zumpthur

11.5.10

Consultation one.



Maria Hilf Hospital. Charlotte Roche 'Wetlands'. Wetlands in Germany. Sexual taboo.




West German Feminist Film



Hussein Chalayan's preposterous Fall 1998 Collection.

feminine power. flamboyant. show, presense, v.s obscure/the veil.
to be noticed. distinction
bridge can enhance the site.
white wall designer dresses, the fabric of the exterior.
feminism, the female eunich australia. west german film and feminism.
australia mardi gras. Kaneval. German parade. Showy.

9.5.10

Valley



Valley inspired by Gunnedah, hometown of Miranda Kerr

Articles: Helen Keller, Miranda Kerr, Angela Merkel

Hellen Keller
Revolutionary women: Helen Keller
Wed, 31/03/2010 - 20:03

"Strike against war, for without you no battles can be fought!" Here we look at the life of Helen Keller as part of our series on revolutionary women in history
Many people have heard of Helen Keller, the blind and deaf woman who learned to talk when her friends wrote sign language on her hands.
Films have been made about her and Christian charities all over the world claim her as their own.
But no-one mentions a key fact about Helen Keller: she was a communist who fought for workers’ revolution.
Well-known for her extraordinary strength in the face of her dual disability, Helen Keller began to attract criticism when her socialist views became known.
In her 1912 essay How I became a socialist, she told how she first came across anticapitalist ideas by reading books, socialist newspapers and the programme of the mass socialist party in Germany. Aware of this, the millionaire newspaper Brooklyn eagle launched a patronising attack on her, claiming her “mistakes spring out of the manifest limitations of her development.”
She replied with cold fury: “Oh, ridiculous Brooklyn Eagle! What an ungallant bird it is! Socially blind and deaf, it defends an intolerable system... The Eagle and I are at war.”
In 1913, campaigning for votes for women, Helen Keller was quick to point out that passive pleading would get nowhere and that the fight for women’s suffrage is a class battle, and added: “Nearly all the opportunities, educational and political, that woman has acquired have been gained by a march of conquest with a skirmish at every post.”
Within two years class war had transformed into imperialist war as Europe descended into fratricidal slaughter. Helen Keller was appalled at the shameful support the leaders of the official socialist parties gave to the war. Alongside the left wing of the movement, she called for active opposition from workers, to turn the war of brother against brother into a war of the whole working class against capitalism:
“Strike against all ordinances and laws and institutions that continue the slaughter of peace and the butcheries of war. Strike against war, for without you no battles can be fought. Strike against manufacturing shrapnel and gas bombs and all other tools of murder. Strike against preparedness that means death and misery to millions of human being. Be not dumb, obedient slaves in an army of destruction. Be heroes in an army of construction.”
When the First World war came to an end and the workers took power in Russia, Keller backed the revolution enthusiastically, and fought to rally opposition to the imperialist powers’ blockade of the Soviet Republic.On the death of Lenin, she pointed out that the lessons of the Russian Revolution are key to humanity’s future:
“I see the furrow Lenin left sown with the unshatterable seed of a new life for mankind, and cast deep below the rolling tides of storm and lightning, mighty crops for the ages to reap.”
http://www.fifthinternational.org/content/revolutionary-women-helen-keller



Strike Against War by Helen Keller
Share: by Erik Larson August 25, 2008 at 11:29 pm
1727 views 27 Recommendations 12 comments
Photos


http://www.nowpublic.com/world/strike-against-war-helen-keller

Forbes World’s Highest Paid Models 2009

http://mirandakerrfan.net/forbes-worlds-highest-paid-models-2009/

Model Miranda Kerr in raunchiest-ever shoot

By JONATHON MORAN From: The Sunday Telegraph June 06, 2010 12:00AM 19 comments
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Numero shoot with Miranda Kerr
Behind the scenes of a hot Miranda Kerr photo shoot by Greg Kadel for the new issue of French...
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Numero shoot ... Miranda Kerr's photographs are getting raunchier. Pic: Greg Kadel/Numero. Source: The Daily Telegraph
MIRANDA Kerr's photographs are getting raunchier.

After going au naturel for the first time a year ago in Rolling Stone - in support of koalas - with her hands strategically placed to preserve her modesty, her latest shoot for French style and fashion magazine Numero turns up the heat.

In the most revealing shot, a bleached-haired Kerr, 27, is almost unrecognisable as she holds a lit cigarette and bares her chest in a public bathroom.

In another shot, the Gunnedah-born supermodel wears dominatrix-style underwear in a school gym. Another image shows Kerr embracing another model dressed as a nun.

It's a very different image to that of the girl next door we're used to seeing as the face of upmarket retailer David Jones, or as the sweet Victoria's Secret underwear model.

"What a shame," Australian deportment queen June Dally-Watkins said, disappointed by the model's latest photo shoot.

"It's a very bad influence on young girls who follow her lead. Miranda does it to attract attention. Sex sells, but it's ridiculous and she could decline what the client is asking for."

Since Rolling Stone, the model has posed in increasingly provocative shoots, including wearing just a trilby hat for the 2010 Pirelli calendar.

Vogue Australia editor-in-chief Kirstie Clements said the French shots perhaps indicated Kerr wanted to be taken seriously as a high-end fashion model, having just secured coveted advertising campaigns for Prada and Jill Sander.

Kerr, girlfriend of Hollywood actor Orlando Bloom, also recently walked in a parade for Balenciaga.

"They're quite raunchy, but I think it suits Miranda because she has that insane body," Clements said.

"It's risqu aac, like a naughty schoolgirl. It's provocative and

a little bit naughty.

"Miranda's got that very sweet side we've seen in Australia but, when you go overseas, they bring out that sexy side in her, which I think is the next part of her career."

ANGELA MERKEL

EUROPE SHUDDERS AS ANGELA MERKEL DECLARED MOST POWERFUL WOMAN

August 21 2009

Berlin, Germany – Of all the three old world continents there is perhaps none that has seen the level of bloodshed than Europe. Though conflicts in Africa and Western Asia reach back into antiquity, the development of modern weapons, machinery, and
multiple cultures crashing together has meant almost endless levels of violence and death throughout the European continent. From Alexander the Great running rampant across the continent to the modern day horrors in Kosovo, Europe has been built on the back of bloodshed.

Of all European nations there is perhaps none with as much blood on its hands as Germany. With imperialistic roots across the continent and the instigators of the two most brutal conflicts in human history, Germany’s history is defined by blood like no other country, something many fear may never truly end. It is into that history
that Angela Merkel has had to wade as the Chancellor of Germany for the last four years. Her success in that position, leading the country into one of the most powerful and influential countries has once again landed at the top of the Forbes list of most powerful women in the world. With a four reign on the list many across the continent are once again beginning to fear the rising power of Germany and its eminently powerful leader.

“Women in power are rising to leadership positions in business, government and philanthropy by making daring and unconventional moves. Gone are the days of women feeling they must stick with one employer and patiently wait for promotions,” wrote Forbes. “Highly ambitious women ... are moving across companies and industries, making big leaps with each change, and repositioning themselves for opportunities that allow them to gain a breadth of experience.”

Many are noting the striking similarity between the magazines continued praise of Merkel and the media attention granted to another German leader, Adolf Hitler, who was chosen as Time Magazine’s Man of the Year in 1938. Only three months after that Nazi Germany began the invasion of Poland which marked the start of World War II.

“There were a lot of factors that led to the events of World War II and the Holocaust but the most important aspect of Hitler’s power was the kind of idolatry that surrounded him. That has proven true over and over again in dictatorships and likely will continue into the future. That kind of worship puts drowns out the people asking questions and helps to usher in unadulterated power,” said Scrape TV Historical analyst Lars Luger. “It is very unlikely that we will see Merkel on the cover of Time anytime soon but if we do then Europe and the world would be right in fearing impending doom. Even this seemingly small honour could extend into dangerous territory and potentially bring further destruction to the continent that has seen so much blood already.”

Merkel has thus far shown little signs of the kind of power grab that Hitler engaged in upon taking power in 1934. His grip on the German government and ultimate dictatorial rule has often been viewed as a result of number of divergent factors colliding at the right time, specifically the dire economic status of the country.

“Germany was suffering under incredible economic strain in the 1930’s which was the
greatest factor in Hitler’s rise to power. Despite some economic trouble of late, Germany has the fourth largest economy in the world so the kind of desperation that Hitler was able to exploit simply doesn’t exist anymore,” continued Luger. “Merkel also suffers as a direct result of Hitler’s actions. By blaming the Jews for so many of the country’s problems he was able to ride a wave of hatred to success. He killed so many of them though that it will prove a lot more difficult for Merkel to exploit them in the same way, making her rise to power a little more difficult, though not impossible.”

Merkel reportedly shaves regularly but it believed that she can grow a mean mustache.

Emil Uliya, International Correspondent



Eyebrows raised as billboards of Angela Merkel's cleavage spring up across Germany with slogan: 'We have more to offer'
0diggsdiggBy Allan Hall In Berlin
Last updated at 11:06 AM on 13th August 2009
Comments (17) Add to My Stories Posters showing the ample decolletage of German chancellor Angela Merkel have been distributed ahead of the country's general election next month.

Mrs Merkel, 55, appears in a lowcut dress alongside Vera Lengsfeld, a parliamentary candidate and member of the chancellor's Christian Democratic Union party, whose cleavage is also on display.

Below is the slogan: 'We have more to offer.'

Lengsfeld is running in a left-wing district of Berlin for a parliamentary seat in the September 27 general election. She has distributed the posters as part of her election campaign.
Enlarge Merkel's 'weapons of mass destruction': The campaign poster showing lots of German Chancellor Angela Merkel and Vera Lengsfeld, a member of the conservative Christian Democrats (CDU)
Lengsfeld, a former East German dissident, said she had not cleared the picture beforehand with Mrs Merkel.
She claimed: 'The chancellor could never have allowed me to do this, otherwise everyone would have wanted to do it.'
The 57-year-old candidate has hung 750 posters in her district and local media have reported a few stolen as souvenirs.
Lengsfeld said over 17,000 people had visited her election blog since she shot into the public eye.
'If only a tenth of them also look at the content of my policies, I will have reached many more people than I could have done with classic street canvassing.'
She will have her work cut out, however, to transform the limelight into success at the ballot box against a popular Green party veteran.
Meanwhile the women's arm of the CDU chided Lengsfeld for an outdated 'sex sells' campaign. 'We don't need to do things like this any more,' head, Maria Boehmer told a news conference.
CDU spokesman would only say the party's central office was 'not notified'.
On Lengsfeld's blog, opinion was sharply divided.
'Witty, cheeky and funny,' said 'Alex'.
But 'Lena' said the placards were 'embarrassing and shameful'.
'How deeply sad that a woman has to attract attention with her breasts because she is incapable of clever words and thoughts,' she said.
Lengsfeld said she did not understand the fuss.
'I find it amazing how little humour some people have shown over this placard. People always complain election posters are boring and then as soon as someone does something different, people get annoyed,' she said.
The famous photo of Merkel's cleavage used in the poster, which was taken at the opening of the Oslo Opera House in April 2008, prompted headlines such as 'Merkel's Weapons of Mass Destruction' from the Daily Mail and 'Deutschland boober alles' from media gossip website Gawker.
It was not the first time images of Merkel - named by Forbes magazine as the most powerful woman on the planet three years in a row - made waves.
In 2006, the Sun newspaper snapped her changing into a bathing suit while on holiday in Italy under the headline 'Big in the Bum-destag', a reference to the Bundestag, Germany's lower house of parliament.
This April, the unusual sight of a giant mocked-up photo of Merkel in a matching purple bra and knickers greeted punters on Berlin's famous Ku'damm shopping street as part of an underwear advertising campaign.


Read more: http://www.dailymail.co.uk/news/worldnews/article-1205844/Billboards-Angela-Merkels-cleavage-spring-Germany-slogan-We-offer.html#ixzz0nP58sTMN

5.5.10

Bridges familiar to clients


The old swinging bridge across the Osage River at Tuscumbia.
From www.millercountymuseum.org/ bridges.html


Bridge near Miranda Kerr's hometown. Namoi Bridge
From http://en.wikipedia.org/wiki/Namoi_River

Lecture notes

Introduction to Bridge Assignment.

Bridge will consist of two spaces for the clients office.
Third space on the valley floor for the clients to meet.
They get from the valley floor to the bridge via an elevator.

Miranda Kerr: Gunnedah, New South Wales.
Helen Heller: Tuscumbia, Alabama.
Angela Merkel: Hamburg, Germany.
What they would talk about and how you would reflect that. Design a table that supports this conversation on the valley.

Things to think about: Architectural Representation.
Occupying a bridged, construction. Macro, interiors of the space, the interior the movement through it to the detail in the furniture and the tables and chairs. certain shapes have inherent structural properties. All elements are critical in the spatial or structural design (e.g otherwise it would fall down. Typography, the height of the it, the snow that melts and the wind, how would the landscape interact? Elevation design in tune with the shape of the bridge? A correlation between the table and the bridge? How does the space look with the cast shadows? Does it light up artificially? How people move through the bridge (e.g speed) could effect the form of the bridge.

Definition of bridge: often you use it to get from one place to another. Vaulted bridge, suspension bridge, covered bridges. timber structures, keystone, box beam bridge (vertical elements weight bearing, horizontal element, dead load, live loads), how did they build it? The bridge is to be occupied not just a structure to get to the other side.

Urban environment valleys.

4.5.10

Examples of Bridges


Hugh Ferriss Bridge from the Lecture.


Bridge House Project 1968
images McCoy, E., Craig Ellwood, Hennessey & Ingalls 1997
From http://users.tce.rmit.edu.au/e03159/ModMelb/mm2/lect/50_60_70/images/ce6
This has an interesting presence with the environment and strong linear elements.


Calatrava Bridge. Its interesting that the pylon is curved and relates to the idea of form deriving from function in the type of tension wire used.
http://img106.imageshack.us/i/c26up.jpg/


Famous Y Bridge Zanesville Ohio
http://www.wildpostcards.com/2009/03/famous-y-bridge-zanesville-ohio/


"The Ponte Vecchio in Florence is one of the most ancient, fully stone-built segmental arch-bridge in Italy and has duly become one of Italy’s most noted tourist spots. It was originally built of wood though was later rebuilt using stone."
From http://www.rockingfacts.com/tag/unique-bridge/


Calatrava's Zubizuri_Bridge_at_night-Bilbao


Salginatobel Bridge in Switzerland (completed in 1930)


Sassanid or Safavid, bridges have a Special place in Iranian architecture.


Wooden detail of «Charpante», from Frank Israel's project in California.
http://tdd.elisava.net/coleccion/9/petroski-en/view?set_language=en



A frightening bridge
http://folines.blogspot.com/2008/01/worlds-most-interesting-bridges-part-2.html





The "bridge-to-nowhere" illusion, seen in Norway:
http://folines.blogspot.com/2008/01/worlds-most-interesting-bridges-part-2.html


Historic "La Pont Du Gard" Bridge
http://folines.blogspot.com/2008/01/worlds-most-interesting-bridges-part-2.html


Magdeburg Water Bridge
http://top-10-list.org/2009/10/20/ten-most-famous-bridges/

3.5.10

2.5.10

Final Crysis Snapshots




The building itself looks like a ramp, with its extensions, contrasting and connecting with the rugged textures of the landform.




The meeting space is directly opposite to the building and relates to the electroliquid aggregation because it is so close (in proximity) yet to far (to get there). It further highlights the contrast between expansiveness and intimacy, separated by the deep cravass in between.




The textures relate because of its repetition of circular shapes which is symbolically associated with infinity (it has no end). This motif is reflected again in the direction of the ramp/path. However, this ‘circle’ is interrupted by the building itself which then creates an opposition to the idea of finite space.




Aerial view of the landscape. The idea of time and space which are finite in extent relates to this expansive landform which seem boundless are you explore the terrain, but is in fact finite being an island. The organic bond is the ramp or trail leading from one lab to the next and when taken literally could refer to the umbilical cord.

Stephen Hawking, Charles Darwin, Electroliquid Aggregation

Concept: “Why still speak of the real and the virtual, the material and immaterial? Here these categories are not in opposition, or in some metaphysical disagreement, but more in an electroliquid aggregation, enforcing each other, as in a two part adhesive.”
Reference: Lars Spuybroek, [1998] Motor Geometry, Architectural Design, Vol 68 No5/6, p5

Steven Hawking
"Time and space are finite in extent, but they don't have any boundary or edge. "
http://www.todayinsci.com/H/Hawking_Stephen/HawkingStephen-Quotations.html

If we look to the islands off the American shore, however much they may differ in geological structure, the inhabitants, though they may be all peculiar species, are essentially American. We may look back to past ages, as shown in the last chapter, and we find American types then prevalent on the American continent and in the American seas. We see in these facts some deep organic bond, prevailing throughout space and time, over the same areas of land and water, and independent of their physical conditions. [page] 350 GEOGRAPHICAL DISTRIBUTION. CHAP. XI. Charles Darwin http://darwin-online.org.uk/content/frameset?viewtype=text&itemID=F373&pageseq=1

Combination-Electroliquid aggregation.
We see in time and space, some deep organic bond which are finite in extent, but without any boundary or edge.

Google Warehouse Crysis

http://sketchup.google.com/3dwarehouse/details?mid=e957519b28dc19ac51ea52ffcee60cf7

5 Landform Pictures-Draft





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